I really do think that a clear distinction should be made between music that is acceptable in the public arena, and what is acceptable in the context of the corporate worship of the people of God. That virtually should 'go without saying', but it is so obviously apparent that that distinction is seldom observed. It's so easy to say, so what? but that 'so what' is symptomatic of a carelessness that is rampant in the contemporary church.
Some Thoughts on Contemporary Christian Music (1/2)
Some Thoughts on Contemporary Christian Music (2/2)
Some Thoughts on Contemporary Christian Music (1/2)
Some Thoughts on Contemporary Christian Music (2/2)
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